If you later don’t want the song to be included with the program, send me a note and I’ll remove it from further releases. (Sound quality, creative use of effects, swing, and so forth, is more important than musical quality.)Īny genre is fine (and encouraged!), and there is no size limit (large samples can be downloaded on demand).
(Plugins that would be legal to include with Radium may work though.)
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If you provide a suitable demo song, you will get a free lifetime subscription. Radium needs more demo songs included with the program He also mentions ‘swing’ as a parameter in song which is right up my sort of alley
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(Just compiling the source is cheating!)"Īnd this one too, which means we can get it for free if we hack the code or give a song made with Radium. Since the source is open, it should be simple to turn the demo into a fully featured version. I know there are many Reaktor users here but is anyone into CSOUND deeply ( ) ? Also the RackAFX suite by Will Pirkle ( ) for the development of VST plugins, does anyone else use it and built something with it? In future if Renoise can integrate these APIs it would certainly mean something to a lot of folks cos as of now notwithstanding the rather curious and dedicated group of Lua scripters here, its unlikely it will ever get tracktion in the mainstream sound API community. I think these APIs win on most counts of usefulness, popularity and that thing called ‘incentive’, as well as strong commercial potential. Faust and JUCE both have a large community behind it (a 2000 Euro prize too) and a very good set of ready made tools and APIs already done and well integrated into hardware products too.
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A lot of kick ass software and plugins for Neo Soul/Keyboards/Bass that makes (Jamal Hartwell) uses JUCE which is why I am totally interested in the use of these modern frameworks. Both are way simpler to code your own stuff with. Faust itself is being used in various products and is a component of the JUCE framework too if I am correct. It integrates with Faust language very well and natively too.
That said, I agree with you about the other ways to visualize, and have gotten by just fine without the in-track visualization.Īnyone tried it thoroughly? How’s the pd integration? If this is something like max for live, but for something similar to a tracker, it sounds nice.
The one thing I would like is a visual representation of duration of sample triggered. The realtime waveform overview visual changes based on automation are crazy! Here’s a youtube video of Radium “in action”, playing a song:
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Other than eye-candy novelty, what does a visible waveform provide? AFAIC, If you know how to read meters, then you already have all the level info you need. I’m open to hearing counter arguments, though! Renoise is, after all, an unconventional approach to making music, so sure, there are new and different possibilities that can and should be explored! It’s just that with this particular, much-requested thing, I simply don’t see the use. This has never been a part of mixing, and I’m struggling to understand what benefit it would be today. What studio in the history of audio mixing has needed a visible waveform per-channel in order to perform great mix engineering? I’ll tell you: none of them, of course. What does a visible waveform provide you? I don’t understand the folks here who have (in other threads) repeatedly stated a desire for a visible waveform. Might be one of those things that you don’t appreciate until you have it to use. I think I just adapted to looking at tracks/instruments/samples and knowing what was happening where. Odd though that I’ve not thought of it much while using Renoise. Being able to see wave forms in the editor would be nice.
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